2 posts tagged “red 7”

AUSTIN, Texas — If performances from six groundbreaking local bands, a slew of requisite Austin fashionistas, and a drunken half-naked Santa Claus are your type of thing, then chances are you were at the Aasim Holiday Party at Red 7 on Saturday night. The show, which boasted a roster of old-to-new school local acts such as Glorium, …And You Will Know Us By the Trail of Dead, Those Peabodys, the Black, Diagonals, and Ume, was a belated birthday party for Aasim Syed, a QA Analyst and photographer.  

In recent years, Syed evolved into a bit of a local house party legend by hosting all out rock-fests with intimate performances by Austin “it” bands. “All the bands that played were friends,” Syed says, “like the Black, Brothers and Sisters, Voxtrot, Black Angels, A Tiger Named Lovesick, and others.”

Last year, in an effort to cut down on some carpet cleaning (and presumably remain in good standing with his neighbors), Syed moved the yearly bash to the Beauty Bar for a packed show featuring DJ sets and a performance by Aaron Blount of A Tiger Named Lovesick. When August rolled around earlier this year and his annual birthday fiesta ceased to materialize, the photographer confessed that he “still had the strong desire to throw a full-on bash before the year was over.”

And what better way to celebrate one’s belated birthday and the holiday season, than to organize a veritable festival of Austin music royalty, bring a notorious local act to its original lineup, and commission a virtually defunct South Texas band to play an album they released a decade ago?

Sure, the promise of witnessing Trail of Dead — Conrad Keely, Jason Reece, and Kevin Allen — as a three-piece was draw enough for many of the audience in attendance. But for much of the crowd, the real meat and potatoes of the Holiday Party was the incredibly rare opportunity to see a performance by the mythical San Antonio avant-gardists Glorium. The five-piece, who formed in 1991, seldom perform since relocating to different cities nearly ten years ago.

“Glorium has played shows few and far between,” says vocalist Paul Streckfus, “because initially we all lived in different cities, beginning around 1998. We would play out when we could all get together.” In fact, the group has performed publicly less than ten times since releasing their 1998 album “Close Your Eyes,” which they played in it’s entirety on Saturday.

The album, recorded in Streckfus’ attic and in an East Austin studio, released to mixed reviews and has since been rendered to the bowels of virtual music obscurity. Lucky for the band, Austin music lovers feed on such obscurity and view witnessing a group like Glorium perform tantamount to discovering a unicorn.

Track-for-track, Paul Streckfus wriggled and balanced on the edge of the stage while the rest of Glorium traced the ambient and driving overlapping melodies of “Close Your Eyes.” With the help of tight arrangements from drummer Juan Miguel Ramos, guitarists Linus Streckfus and Ernest Salaz (who is also member to I Love You But I’ve Chosen Darkness), and bassist Jorge Lara, the band sailed through renditions of crowd shakers such as “Doomsday Kiss” and “Moonbeam King,” making one fact dreadfully clear: after all these years, audiences still love Glorium.

So much so that it’s a wonder why the group hasn’t released an album since that of the 2004 record “Fantasmas.” According to vocalist Streckfus, the band isn’t “recording new material right now,” though he’s quick to add that his new band, Kingdom of Suicide Lovers is recording an album, as is I Love You But I've Chosen Darkness.

Though Glorium may have toiled over old material on Saturday night, Austin’s wonder-band Trail of Dead had plenty new pieces to share. The three-piece, with Keely and Reece rotating singing, drumming and guitar duties, played loads of work off their recently released EP “Festival Thyme,” as well as songs from an untitled upcoming full-length.

Other highlights from the Holiday Party included an early performance by the utterly brilliant pop-country musings of the Black, who released their six-song EP “Donna” in the summer of 2007. The foursome, fronted by the ever-smiling vocalist, guitarist, and pianist David Longoria, filled the back patio of the Red 7 and even prompted a couple of brave souls (okay, maybe just Aasim and a friend) to spastically jerk and hop about during the raucous renditions of songs such as “Eshu Blues” and “Little Hits.”

This town may have its fair share of garage-country acts but nobody does it like the Black. They do country when country was the mere echo of an opening guitar chord, the whoosh and slap of a drum, a lovelorn whine on the microphone, and a slick pearl-snap button-down shirt. The Black has a firm finger to the pulse of Austin and, by the look and sound of the rest of the Aasim Holiday Party, so does Syed.  

Music and turnout aside, the event was a complete success. Beside, one knows that they’ve scored a hit when anyone — let alone a dude in a Santa Claus suit — climbs atop the bar at last call and proceeds to get naked.

It’s Austin, gotta love it!

— Shannon McGarvey (Originally featured on Austin360.com)

Aasim and a half-naked Santa Claus

Before there were female rockers Chrissie Hynde of the Pretenders and Deborah Harry of Blondie, there was the sound of the highly influential and trailblazing punk rockers the Slits. Formed in London in 1976 by the all-female members Ari Up (Arianna Forster), Viv Albertine, Palmolive (Paloma Romera) and Tessa Pollitt, the Slits traded in previous notions of 'girl groups' for the likes of a rude, crude and brash debut album 'Cut.' In the early '80s, with the release of their sophomore effort 'Return of the Giant Slits,' the group began experimenting with an avant-garde sound and abandoned much of their previous noise. By the late '80s, the Slits disbanded to work on individual projects, though Forster and Pollitt reformed the band with new members for a world tour in 2006.
— Shannon McGarvey (Originally featured on Austin360.com)

The Slits